為了將芭蕾舞文化發(fā)揚光大，挖掘培養(yǎng)更多芭蕾舞新秀，而設(shè)立的保加利亞瓦爾納國際芭蕾舞比賽從1964年開始至今已經(jīng)成功的舉辦了26屆了。如今，2016年第27屆保加利亞瓦爾納國際芭蕾舞比賽已經(jīng)啟動，感興趣的朋友可以報名參賽，具體比賽相關(guān)信息如下：
比賽報名時間
本屆比賽將于2016年7月15日至30日在保加利亞的瓦爾納舉行，有意參賽者請于2016年4月30日之前報名參賽。
備注：報名資料需要至少5-10個工作日通過國際快遞到達境外組委會進行審核，建議選手提前15個工作日報送資料到中國華夏文化集團蘭喬圣菲文化傳播，以免延誤。
比賽兩組
A組——青少年組 26歲以下(1990年7月15日——1997年7月14日出生)
B組——少年組 15至19歲(1997年7月15日——2001年7月14日出生)
參賽曲目：
FIRST ROUND – Obligatory classical choreography
Competitors perform, at their own choice, one pas de deux (adagio, variation and coda) or two variations from the obligatory repertoire listed below:
1)ADAM "Giselle"
- Variation of Giselle, Act I, Chor. Petipa, music Minkus
- Pas de deux, Act I, Chor. Perrot, Coralli, Petipa
- Entree and variation of Myrtha, Act II, Chor. Perrot, Coralli, Petipa
- Grand pas de deux of Giselle and Albert, Act II, Chor. Perrot, Coralli, Petipa
2)ADAM "Le Corsaire"
- Pas de deux of Medora and the Slave, Act I, Chor. Petipa
- Pas de deux of the Slave Girl and the Merchant, Act II, Chor. Petipa, music Drigo
3)ARMSHEIMER "The Cavalry Camp"
- Pas de deux of Maria and Peter, Chor. Petipa
4)ASSAFYEV "The Flames of Paris"
- Pas de deux, Chor. Vainonen
5)GLAZOUNOV "Raymonda"
- Grand pas de deux of Raymonda and de Brienne, Act III, Chor. Petipa
6)DELIBES "Coppelia"
- Pas de deux of Swanilda and Franz, Act II, Chor. Saint -Leon, Petipa
7)DRIGO "Esmeralda"
- Pas de deux of Diana and Acteon, Chor. Vaganova
8)LOEVENSKJOLD "La Sylphide" (Sylphiden)
- Variations from the pas de deux, Chor. Bournonville
9)MINKUS "La Bayadere"
- Pas de deux of Nikia and Solor, Act II, Chor. Petipa
- Three variations of the Shades, Act III Chor. Petipa (each variation is a separate entry), Chor. Petipa
10)MINKUS "Don Quixote"
- Grand pas de deux of Quitry and Basil, Act IV, Chor. Petipa, Gorsky
- Variation of Quitry, Act I, Chor. Petipa
- Variation of the Mistress of the Driads, Chor. Petipa
11)MINKUS "Paquita"
- Variations from the pas de trois, Chor. Petipa
- Variations from the Grand pas, Chor. Petipa (each variation to be performed as an independent one), Chor. Petipa
12)AUBER "Classical Pas de Deux"
Chor. V. Gsovsky
13)PAULLI "Napoli"
- Variations, Chor. Bournonville
14)PAULLI "The Kermis in Bruges"
- Pas de deux, Chor. Bournonville
15)PUGNI "Satanila"
- Pas de deux, Chor. Petipa
16)HELSTED "Festival of the Flowers in Genzano"
- Pas de deux, Chor. Bournonville
17)HERTEL "La Fille mal gardee"
- Pas de deux of Lisa and Colin, Act II, Chor. Petipa, Gorsky
18)TCHAIKOVSKY "Swan Lake"
- Adagio, variation and coda of Odette and Siegfried, Act II (only ballerinas can compete), the partner must dance variation from the ballet after the adagio; music must be compiled, Chor. Lev Ivanov
- Variation from pas de trois, Act I, Chor. Petipa
- Pas de deux of Odile and Siegfried, Act III, Chor. Petipa
19)TCHAIKOVSKY "The Sleeping Beauty"
- Variation of Lilac Fairy, Act I, Chor. Petipa, Lopukhov
- Variation of Aurora, Act I, Chor. Petipa
- Variation of Prince Charming (Desire), Act II, Chor. Petipa
- Variation of Lilac Fairy, Act III, Chor. Petipa-Lopukhov
- Pas de deux of Florina and the Blue Bird, Act III, Chor. Petipa
- Pas de deux of Aurora and Desire, Act III, Chor. Petipa, Sergeev
20)TCHAIKOVSKY "The Nutcracker"
- Pas de deux of Sugar Plum Fairy and the Prince, Act II, Chor. Vainonen
N.B.:
1. All variations from the above listed "Pas de deux" and "Pas de trois" can be performed as independent entries.
2. In all three rounds solo dancers perform their two variations in one competition night.
SECOND ROUND
In the Second Round all competitors perform two dances, not performed in the First Round, in one night:
a) a pas de deux (adagio, variation and coda) or two variations (at competitor's choice) from the classical ballet repertoire, created by the end of the 19th century.
b) a contemporary work of the competitor's choice choreographed in the last five years, i.e. after July 15th, 2011, not exceeding 6 minutes.
N.B.:
1. Contemporary choreography covers a broad spectrum of subjects and reflects the modern man's views and understanding of the world. It is connected with full or partial denial of the classical dance system and its replacement with different modern dance systems, jazz-dance, free plastique, etc. or complex combinations of classical dance elements with other dance systems including (besides the ones mentioned above) elements of folk dances, ball dances, pantomime, sport and acrobatic movements, etc. The principle difference between classical and contemporary choreography lies in the idea, the concept, the form (dance system) and the contents of the work.
2. There may not be more than 5 changes in the lighting of the contemporary choreography works.
THIRD ROUND
All competitors perform two dances, not performed in the First and Second Rounds, in one night:
a) a pas de deux (adagio, variation and coda) or two variations (at competitor's choice) from the classical ballet repertoire, created after the end of the 19th century.
b) a contemporary work of the competitor's choice choreographed in the last ten years, i.e. after July 15th, 2006, not exceeding 6 minutes.
N.B.:
1. There may not be more than 5 changes in the lighting of the contemporary choreography works.
獎項設(shè)置：
注：本比賽屬于文化部推薦的2015-2017年獎勵的國際藝術(shù)比賽，根據(jù)《文化部關(guān)于2015-2017年國際藝術(shù)比賽獲獎選手獎勵辦法》的通知，獎勵范圍為A類比賽的大獎、一、二、三、四等獎，不包括任何形式的特別單項獎。團體獎以團體為單位進行獎勵。
獎勵金額(人民幣)如下：
A類比賽(舞蹈類)：大獎6萬元;成人組一等獎5萬元，二等獎4萬元，三等獎3萬元;少年組一等獎4萬元，二等獎3萬元，三等獎2萬元。
若想了解具體比賽規(guī)則，報名流程等信息，可以登錄蘭喬圣菲文化傳播網(wǎng)站了解。
以上是2016年第27屆保加利亞瓦爾納國際芭蕾舞比賽相關(guān)資訊，如需獲得更多舞蹈類相關(guān)資訊，如舞蹈賽事、舞蹈技巧、舞蹈史論、舞蹈理論等，敬請關(guān)注唯學網(wǎng)舞蹈頻道，小編會在第一時間作出相關(guān)報道!
